New York: Limited Editions Club, 1960. Full page color illustrations by Edy Legrand. Limited edition. Publisher's full black cloth, blind stamped, spine title stamped in maroon and gilt, all edges speckled, in publisher's slipcase. 276 pp. 11.75" x 7.75" EARLY GERMANIC LEGEND WITH 60S ART Dragons and a lost.....
New York: Modern Library, 1950. Later printing. Hardcover, in dust jacket. Translated by Marcus Dods, D.D. Introduction by Thomas Merton.
New York: Limited Editions Club, 1948. Fourteen full-color illustrations by John Steuart Curry. Limited edition. Publisher's full red cloth, navy morocco labels, stamped in gilt, housed in publisher's slipcase. THE MATCH OF THE CIVIL WAR Stephen Vincent Benét was no stranger to war. Born in 1898, his life began.....
[Omaha]: Joslyn Art Museum, 1984. Numerous full color reproductions. First edition, first printing. Hardcover, in dust jacket. Signed and dated by Goetzmann on full title.
New York: Little, Brown & Co., 2006. First edition, first printing. Hardcover, in dust jacket.
Austin: University of Texas Press, 1978. First edition, first printing. Hardcover, in dust jacket. Association copy, inscribed by Frank Vandiver, author of the foreword, to John Carroll, author of the introduction, on tipped-in signature plate.
Avon, CT: Heritage Press, 1972. Numerous full-color illustrations. Later printing. Publisher's quarter blue cloth, over illustrated boards, blue speckled edges, housed in publisher's slipcase. 'Sandglass' laid in.
Interland Publishing, 1972. First printing thus. Tan cloth with maroon title label.
St. Louis: St. Louis Mercantile Library, 2006. First edition, first printing. Hardcover, in dust jacket. With an introductory essay by Bambi Ellis.
Santa Fe: Museum of New Mexico Press, 1993. Principal Photography by Anthony Richardson and Michel Zabé. First edition, first printing. Hardcover, in dust jacket. Inscribed by previous owner on ffep.
New York: Dial Books, 1995. Black and white illustrations by Tom Feelings. First edition, first printing. Hardcover, in dust jacket.
Chicago: Quadrangle Books, 1959. Numerous black-and-white and color wood engravings by Robert Gibbings. First edition, first printing. Publisher's full black cloth stamped in gilt, in publisher's acetate jacket, stamped in red, top edge stained green. THE COMPREHENSIVE GIBBINGS Robert Gibbings led the wood engraving revival in Britain in the.....
New York: The Heritage Press, 1956. Black and white wood-engravings by Agnes Miller Parker. Reprint. Publisher's full tan cloth, illustratively stamped in green and beige, speckled edges, housed in publisher's slipcase.
New York: The Heritage Press, 1956. Black and white wood-engravings by Agnes Miller Parker. Reprint. Publisher's full tan cloth, illustratively stamped in green and beige, speckled edges, housed in publisher's slipcase.
Rochester, NY: Printing House of Leo Hart, 1933. First edition, first printing. Hardcover, in dust jacket.
New York: Scribner, 1999. First edition, first printing. Hardcover, in dust jacket.
New York: Metropolitan Museum of Art, 1988. Full color reproductions. Later printing. Hardcover, in dust jacket.
New York: HarperSanFransisco, 1995. First edition, first printing. Hardcover, in dust jacket. Compiled by Nick Bakalar and Richard Balkin. Introduction by Father John W. White.
New York: Heritage Press, 1968. Color and black and white illustrations by Brian Keogh. Reprint. Publisher's tan cloth, stamped in maroon, brown, and gilt, housed in publisher's slipcase. Includes the Sandglass.
Boulder, CO: Frequent Flyer Press, 1995. Color photographs by Andy Katz. First edition, first printing. Hardcover, in dust jacket. Inscribed by the author on binders blank.
Fresno: The Giligia Press, 1967. First edition, first printing. Hardcover, in dust jacket.
New York: Lustrum Press, 1982. Full page b&w photographs. First edition, first printing. Hardcover, in dust jacket.
Richmond: Privately Printed, 1860. One of ten large paper copies bound in quarto. One-half green morocco over marbled boards. Howes, L306. Eberstadt, 132;725.
Denver / New Haven: Denver Art Museum / Yale University Press, 2016. First edition, first printing. Hardcover, in dust jacket.
George Braziller, 1973. First edition, first printing. Red cloth in publisher's slipcase.