Boston: Little, Brown and Company, 1923. Black and white illustrations. Early twentieth century reprint. Publisher's full green cloth, decoratively stamped in black and gilt. FIGHT OF THE PUBLISHERS Three publisher's clamored over the rights to Eight Cousins, before Alcott had even written it, with Roberts Brothers eventually claiming them.....
Boston: Little, Brown and Company, 1914. Black and white illustrations. Early twentieth century reprint. Publisher's full green cloth, decoratively stamped in black and gilt. A BRIGHT TALE, BACKED BY GRIEF Reading a bright and sentimental story about childhood friends Jack and Jill who end up physically disabled after a......
Boston: Little, Brown and Company, 1923. Black and white illustrations. Early twentieth century reprint. Publisher's full green cloth, decoratively stamped in black and gilt. LITTLE WOMEN FINALE Jo March was a free spirit as a girl and cultivated individuality in each of her students as an adult. This final.....
Boston: Little, Brown and Company, 1923. Black and white illustrations. Early twentieth century reprint. Publisher's full green cloth, decoratively stamped in black and gilt. A CIRCUS OF GRIEF Louisa May Alcott struggled to complete Under the Lilacs as she cared for her sick mother and struggled in the face.....
London: Cassell and Company, 1900. First edition, first printing. Publisher's deep purple cloth, spine title stamped in gilt, teg, grey, decorated endpapers, housed in custom quarter green morocco slipcase with chemise. Octavo. viii, 431, [1], 8 ads. 8" x 5" THE BOY WHO HAD TO GROW UP Tommy Sandys.....
London: Hodder and Stoughton, [1985]. Twelve tipped-in color illustrations, with all tissue guards intact, and black and white vignettes throughout by Mabel Lucie Attwell. Limited edition reissue of the 1921 first Mabel Lucie Attwell illustrated edition. Publisher's full navy leather, illustratively stamped in pink, cream, and gilt, aeg, with ribbon.....
Franklin Center, PA: Franklin Library, 1979. With the drawings of W. W. Denslow. Limited edition. Full red leather, decoratively gilt. Full red leather.
Norwalk, CT: Easton Press, 1980. Pictures by Robert Ward Johnson. Collector's Edition. Full green leather, decoratively gilt. Introduction by Theodore Dreiser.
New York: Dodd, Mead, and Company, 1923. Twelve full page color and numerous black and white illustrations by Walter Crane. Later printing. Publisher's full grey cloth, illustratively stamped in black and orange. 245pp. 9" x 6.75" BATTLING CRANE'S GIANTS Follow Don Quixote through the highs and lows of his.....
London: HarperCollins Publishers, 2000. First printing thus. Hardcover, in dust jacket. Photograph of cover placed in front.
London: HarperCollins Publishers, 1998. First printing thus. Hardcover, in dust jacket.
Garden City: Doubleday, Doran & Company, Inc, 1942. With Woodcuts by Hans Alexander Mueller. Reprint. Hardover, in dust jacket. Introduction by William McFee.
New York: Everyman's Library/Alfred A. Knopf, 1992. Later printing. Publisher's blue cloth, in quarter jacket, in publisher's clear acetate jacket.
New York: Harper and Brothers, 1904. First American edition, first printing. Green cloth decoratively stamped in gilt, rust and black. MORAL TESTING AMIDST REVOLUTION Acclaimed Polish-English writer Joseph Conrad spent about 20 years at sea, collecting inspiration for his future writings. In the Author’s Note to the new 1918.....
Norwalk, CT: Easton Press, 1980. Illustrated by Jon Steuart Curry. Collector's edition. Full red leather, decoratively gilt. Part of "The 100 Greatest Books Ever Written" series.
Norwalk, CT: Easton Press, 1977. Illustrations from Water-Colors by Gunter Bohmer. Collector's Edition. Full red leather, decoratively gilt. The translations by Lafcadio Hearn and others chosen & with an Introduction by Justin O'Brien.
New York: Modern Library, 1985. Later printing. Hardcover, in dust jacket.
New York: The Heritage Club, 1939. Illustrated by Barnett Freedman. Reprint. Publisher's full light blue cloth, decoratively stamped in maroon and gilt, top edge stained maroon, lacking publisher's slipcase.
Cambridge, MA: Candlewick Press, 2006. Color illustrations by P. J. Lynch. Later printing. Hardcover, in dust jacket.
New York: Bonanza Books, 1985. Illustrated in color by H. M. Brock. First printing thus. Hardcover, in dust jacket.
New York: The Heritage Club, 1939. Illustrated by Reginald Birch. Reprint. Publisher's full light blue cloth, decoratively stamped in maroon and gilt, top edge stained maroon, lacking publisher's slipcase.
Franklin Center, PA: Franklin Library, 1977. Illustrations of John McLenan. Limited Edition. Full red leather, decoratively gilt.
London: Chapman and Hall, [ca. 1860]. Illustrations by Phiz. Early printing. Three-quarter contemporary tan calf over marbled boards, red and brown morocco spine labels, aeg. Smith notes a later issue (c. 1860) in three-quarter contemporary calf with marbled boards and endpapers, six of the ten errata corrected, undated vignette and.....
London: Chapman and Hall, 1840-41. With illustrations by George Cattermole and Hablot Browne [i.e. "Phiz"]. First edition, first printing. Three-quarter green polished calf over marbled boards. Sexmo. 306; 306; 426. This is the first appearance of both "The Old Curiosity Shop" and "Barnaby Rudge." Originally issued serially in 88 parts.....
New York: The Heritage Club, 1938. Illustrated by Gordon Ross. Reprint. Publisher's full light blue cloth, decoratively stamped in maroon and gilt, top edge stained maroon, lacking publisher's slipcase. Sandglass included.